4/4/2023 0 Comments Best album flow![]() ![]() Right Now,” off 21 Savage and Metro Boomin’s Savage Mode II, and the Lover Boy deep cut “Knife Talk” proved Drake and 21 work well as equals, complementing each other’s strengths. Sometimes the flurry of threats and chauvinist snark feels like a purposeful tribute to the coarser hip-hop that Drake’s earliest hits seemed to reject, but this can make the album feel musically and emotionally retrograde. Guesting on most of Her Loss’s 16 tracks, Savage renews Drake’s interest in bars but also in excitable cruelty. Her Loss, his new album, billed as a collaboration with Atlanta rapper 21 Savage, is a hangover from the club nights of the previous project, a speedy retreat into calculated cool-hunting and passive-aggressive aristocrat rap. 1, it went nowhere - the ultrarare collective rebuke of a new Drake release. Drake pivoting into zesty dance music this summer on Honestly, Nevermind felt like a nice reprieve, but outside “Jimmy Cooks” hitting No. The spiteful spirit of some of the love songs in last year’s Certified Lover Boy felt like a symptom of a dark and divisive time, a whiff of the same bad air that made Ye go out of his way to try to help reform DaBaby’s and Marilyn Manson’s public images on Donda. He’s fluent in the language of social justice but wise to the florid history of strip-club jams and players’ anthems, the kind of guy who pops up on a flip of Juvenile’s classic “Back That Azz Up” dunking on his exes in order to ingratiate himself to a new fling and pulls it off, who is equally believable at the pettiness of a “How Bout Now” and the reverence of “Shut It Down.” In the turbulent first quarter of the young century, cishet men have an awareness of the need for a more equitable balance of power in every corner of culture and also have fantastic incentives not to do the work. Drake offers insight into the mind-set of the North American men in his audience. Both artists have that dog in them, too, though. You could argue that attitudes have shifted thanks to a wave of music-industry players such as Ye and Drake, whose singles from the aughts opened doors by waving off hypermasculine tropes and exploring romance in greater subtlety and earnestness. A lot of people did that.) If you had a problem with Cardi B and Megan Thee Stallion rhyming about bodily fluids, how closely are you listening to rap, really? (Yes, Lil’ Kim showed skin in the videos. God forbid a woman owns her sexual prowess on record the way the guys do. We preoccupy ourselves with the way they look and dress. It’s a problem not even an influx of powerful women in rap could solve we saddle them with double standards, and should they overcome them, we give credit to whichever man was closest. For every “I’ll Be There for You / You’re All I Need to Get By,” there’s a “Domestic Violence.” For every song honoring a woman’s strengths and struggles, there is an equal and opposite moment when they’re minimized, disrespected, or treated like a trophy. “How much I gotta spend for you to pipe down?” - Drake, “Pipe Down” So I look sick in my six with my Christian LaCroix” - Lil’ Kim, “Crush on You (Remix)” You got to hit me off, buy this girl gifts of course Want a cheap trick, better go down to FreakNik “I’m not the one you sleep wit’ to eat quick Until one day you see things for yourself” - Slick Rick, “Treat Her Like a Prostitute” ’Love is blind, so there goes your wealth “Give her everything ’cause you swear she’s worth itĪll your friends tell you, ‘The bitch don’t deserve it ![]()
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